Archives - Photoshop (Moderate)

Airbrushing is always subject to a lot of discussion. Mostly the discussion ends up dividing people into two groups. Those who hate it, and those who simply love it!

In my opinion the last group of people is the worst :) Mostly because many in this group tend to 'over airbrush' their models.

Mozilla's Firefox browser continues to post gains in market share, according to Web analytics firm OneStat.com, while usage of Internet Explorer has fallen more than 2 percent since May. Opera, meanwhile, has surpassed 1 percent market share worldwide.

Info:
The original resolution of this work was 1500x2000, the resolution of the illustrations have been shortened I would recommend that you use a large canvas for this tutorial (1024x768 or more). Because step 3 (SinCity Rain) works better on larger scale you can scale down the image later if you like.

Using just one texture in Photoshop, I'm going to teach you how to make a planet that looks somewhat realistic although, in the end, whether it looks realistic or not is entirely up to you and the way you play with settings.

Mimic scan lines with Gradient Noise. A little less used feature hidden inside the Gradient Editor.

Starter Image
Copy and paste the following cityscape image into a new RGB document.

I'm feeling pretty feisty today: I'm going to try to convince you to use *several* steps to perform a technique that technically requires only one. Impossible you say? Could be, but I'm gonna give it a shot.

We've all probably been there. Watching a Photoshop presentation of some sort and the presenter states something like, "I'm now going to select the girl's shirt and change the color from red to green". They then click in the Channels palette or the Path's palette and magically a selection appears around the shirt. Hopefully you get the picture. I know I've seen it many times. Unfortunately it's a necessary step because no one wants to sit and watch the presenter select the shirt in Photoshop for 10 minutes but it can be frustrating. So how do they do this? Many times there are nifty selection techniques that involve channels, filters, adjustments and so on. But more often than not, they simple use the Pen Tool and a path. When it comes to selecting areas in photographs for retouching, very few tools are as accurate as the Pen Tool. That said, this tutorial will show you some of the ins and outs of the Pen Tool and how you can use it to select areas of a Photograph for retouching as well.

Create your concrete
Start a new file. Click Edit, Fill, Contents, 50% Gray to fill it with 50% gray.
Create a concrete slab in the layer by applying the Texturizer filter.

This week let's take another look at background replacement. Generally, I extract my subjects from their backgrounds using the Extract filter, but this time I will just use a mask to separate my subject from the surrounding pixels. In the process, we will also cover a little touch up to effect the overall tone of the piece. If you are ready, let's get started.

Welcome back. Today I'm going to dive into the brush engine. The effects and time saving capabilities of this tool are truly amazing. In this tutorial we're going to take an ordinary somewhat clean-shaven man and give him a little facial hair. Ooops - did I say "a little". "Little" may be somewhat of an untruth here - we'll just have to wait and see what we come up with.

All of us who work with Photoshop on a regular basis have a favorite medium. For example, personally I enjoy special effects, especially when applied to text. It isn't that I can't work in other areas or that I'm allergic to photo correction, but simply that I enjoy typography effects so I tend to spend more time in that area.

Much of the advertisement for the movie "S1M0NE" included a pixelated version of an image as an overlay. (To see a sample, go to www.s1m0ne.com.) Here's one way to achieve this effect.